![]() ![]() ![]() The Aurora(n) converters represent the culmination of years of research and development dedicated to significantly improving upon the well-regarded Lynx Aurora 8 and 16 models used by professionals around the world.įor the first time Lynx introduces a 24 and a 32 channel model along with all new 8 and 16 channel models. SWITCHABLE 115/230 VOLT IEC POWER INLET.A new standard in analog to digital and digital to analog conversion.BALANCED XLR MIC (FRONT AND BACK), BALANCED TRS LINE, AND ¼" UNBALANCED INSTRUMENT INPUTS.¼" INSERT FOR THE USE OF INLINE COMPRESSORS, EQ'S ETC.OUTPUT ATTENUATION ALLOWS FOR SATURATION FLEXIBILITY OF BOTH OPAMPS AND TRANSFORMERS.UTILIZES PREMIUM GRADE CINEMAG USA TRANSFORMERS.GREAT FOR GUITARS, BASS, KEYBOARDS AND OTHER INSTRUMENTS THAT HAVE A 1/4″ OUTPUT JACK 2 MEG OHM TRUE HI-Z INPUT ON FRONT PANEL SENDS INSTRUMENT SIGNAL THROUGH ENTIRE CIRCUIT INCLUDING BOTH CINEMAG TRANSFORMERS AND THE DISCRETE OPAMPS.IMPEDANCE SWITCH LABELED TONE TO SWITCH BETWEEN 150 AND 600 OHMS INPUT IMPEDANCE.THESE ARE SOCKETED/SWAPPABLE WITH YOUR CHOICE OF 2520 6 PIN FOOTPRINT OPAMPS DISCRETE OPAMP SELECTION ALLOWS FOR CHOOSING BETWEEN A 1731(VINTAGE) AND 918(CLEANER) STYLE OPAMP.TRANSFORMER BYPASS SWITCH ALLOWS FOR REMOVAL OF THE OUTPUT TRANSFORMER FROM THE CIRCUIT.TRANSFORMER SELECTION PROVIDES BOTH STEEL AND 50% NICKEL CINEMAG OUTPUT TRANSFORMERS FOR VARYING CHARACTER.Home-based musicians and professional studios alike will find the Tone Beast Black to be an extremely powerful and fully professional piece of gear that is capable of warming and shaping signals/mixes in a way that is very pleasing to the ear. The different component options in the TB12 are subtle, but when driven into saturation are noticeable and can make a big difference to the way your final mix will sound. Have no fear of hurting the Beast, you can push it very hard into full-on distortion if you wish, and these can sound quite nice on electric guitar, bass or anything else that likes some grit. The TB12 "Tone Beast Black" is a fully discrete, high-voltage microphone preamplifier, utilizing CineMag USA Transformers. When designing the TB12 Tone Beast Black our goal was to make a microphone preamplifier affordable and jam packed full of options, without compromising the quality and design parameters that make this type of microphone preamplifier so desirable. The output control on the TB12 allows you to limit the signal exiting the preamp even when pushing the gain to really hot levels, giving you maximum control. The Tone Beast Black is customizable and allows users to source and swap in their own opamps. The 2 opamps and 2 output transformers at the flip of their switches won't appear to be much different, but as one drives the pre into harmonic distortion, the unique character of each of these components becomes apparent. The Tone Beast Black is a mic pre that likes to be pushed and when pushed will colorize your signal ever so sweetly. With top notch CineMag transformers and multiple discrete signal paths, it's hard to beat the Tone Beast's big, bold, fully-professional sound at this price. ![]() It is a swiss army knife full of options and tones. The TB12 Tone Beast Black is a fully professional preamp design with loads of gain that can effortlessly capture an array of sources very well. ![]()
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